論余華小說中的悲劇色彩論文

　　摘 要：210世紀(jì)810年代以來，余華的小說常常呈現(xiàn)出1種與現(xiàn)實(shí)的緊張關(guān)系，罪惡、暴力與死亡的敘述成為他文學(xué)創(chuàng)作的重要特色，罪惡與死亡——論余華小說中的悲劇色彩 - 畢業(yè)論文。作者通過塑造1個由怪誕、罪惡、陰謀、死亡、神秘、暴力交織而成的幻覺世界，冷靜的、不動聲色的甚至是輕松的將筆下的人物1群群拋入絕望的深淵。到了910年代，余華的創(chuàng)作風(fēng)格明顯改變，盡管文本仍充斥著死亡與暴虐殘忍，仍帶有悲觀色彩，但往昔夢幻神秘的感覺已經(jīng)消退，也擺脫了那陰暗的氛圍，從虛幻的天空回落到了現(xiàn)實(shí)的'大地，對現(xiàn)實(shí)充滿著溫情的呼喚。由此可見，對罪惡與死亡的殘酷的悲劇性描寫決非余華內(nèi)心的真正向往，而是作者所采取的1種極端和隱喻的方式對現(xiàn)實(shí)對社會對人生苦難的痛切的關(guān)注。

　　關(guān)鍵詞：余華 罪惡 死亡 暴力 人生苦難 悲觀主義

　　Abstract: Since the eighties of the 20th century, Yu Huas novel has often demonstrated one kind and realistic tense relation, the narrations of crime , violence and death become the important characteristic of his literary creation. Through mould one by weird , crime , conspiracy , death , mystery , violence interweave and illusion world that succeed author, a calm , does not speak and reveal ones feelings one will be even relaxed personages in the works will throw several crowds ofly into the desperate abyss . By the 1990s, Yu Huas style of creating obviously changed, though the text was still packed with the death and brutal and cruel, still have pessimistic color , but the dreamlike and mysterious feeling has already disappeared in the past, have get rid of that dark atmosphere too, has fallen back to the realistic earth from the unreal sky, call heart-warming to reality. Therefore, the cruel tragic description of the crime and death is not the real yearning for Yu Huas heart , but one extreme and way reality between society and life concern with intense sorrow of suffering correctly correctly of metaphor author take.

　　Key words: Yu Hua Crime Death Violence

　　Suffering in life Pessimism

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